It is lucky,however, for Repin that the peasant is protected from the productsof American capitalism, for he would not stand a chance next toa cover by Norman Rockwell.Ultimately, it can be said that the cultivated spectator derivesthe same values from Picasso that the peasant gets from Repin,since what the latter enjoys in Repin is somehow art too, on howeverlow a scale, and he is sent to look at pictures by the same instinctsthat send the cultivated spectator.


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