Emerson's second main point is "the poet is the sayer, the namer." That is to say Emerson here rejects the idea that the poet is primarily a maker, a craftsman, or wordsmith. Formalist critics from Jonson to had emphasized the craft of writing, seeing the poet as a maker. For Emerson, the poet is a seer and a sayer, a person inspired, a transmitter of the poetry that inheres in nature and in us. He is not just a maker of verses. Emerson's poet is the inspired, divine, prophet-bard who has access to truth and whose function is to declare it, as Barbara Packer shows in (1982). From this notion it follows that poems are not "machines made out of words," or "verbal constructs." By contrast, for Emerson, "poetry was all written before time was." The poet's job is to establish contact with the primal, natural world, "where the air is music," and try to write down in words what has always existed in nature. When writes that "Nature's first green is gold," he is giving words to something that has been going on for eons, namely the first appearance of light greenish gold when the leaves first begin to break out of the bud in spring.


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